Yes the original film exists, but you can also see the edges of the prostheses, the wear on the sets, and the ripples in the seams of costumes (as regrettably you can see in most seasons of Picard). People watch remasterd TNG anyway, but the rough edges show.
Red and Panavision capture everything all the time now.
Yes, people have worked to that production norm in cinema for nearly a century now, but very few cinematic features are filmed in a week.
Hey, I get that you’re angry, and I totally agree that not enough of the return is going to the creators and crews, but those same folks involved in production are talking about an unrealistic norm of gruelling long hours in production. They need both decent pay and residuals and humane production schedules.
Right, but my point is that it still holds up even then. It still holds up with the original effects, too. Maybe the death of the mid-budget production is the real issue here, because if I were running the show I would aggressively slash the fuck out of the VFX budget to make room for additional episodes over a longer shooting schedule, and the idea of sacrificing eye candy and having the show just look decent doesn’t really fly anymore. I think even a showrunner with serious weight to throw around would still promptly be fired for shooting a science fiction show that went 5 to 10 episodes without a major action setpiece because he wanted to film people calmly talking about ethical dilemmas in a room with flat, even TV lighting.
I agree with your points about overworking the cast and crew, but that’s not actually necessary either: it’s well within Paramount’s power to spend the money on doing it right and take the time on doing it right and treat people like they aren’t animals. And if wishes were horses, beggars would ride.
Ultimately, there is one person at whom the buck stopped and the decision was made—there always is—and I still want to smear dog shit on the door handles of his car.
Don’t get me wrong, SNW is great: in my mind, it’s the first good Star Trek show to broadcast since VOY went off the air (not a high bar to clear, I know, but it’s still meant as a compliment), and I just wish there was more of it instead of the other stupid shit Paramount incinerates money on.
Yes the original film exists, but you can also see the edges of the prostheses, the wear on the sets, and the ripples in the seams of costumes (as regrettably you can see in most seasons of Picard). People watch remasterd TNG anyway, but the rough edges show.
Red and Panavision capture everything all the time now.
Yes, people have worked to that production norm in cinema for nearly a century now, but very few cinematic features are filmed in a week.
Hey, I get that you’re angry, and I totally agree that not enough of the return is going to the creators and crews, but those same folks involved in production are talking about an unrealistic norm of gruelling long hours in production. They need both decent pay and residuals and humane production schedules.
Right, but my point is that it still holds up even then. It still holds up with the original effects, too. Maybe the death of the mid-budget production is the real issue here, because if I were running the show I would aggressively slash the fuck out of the VFX budget to make room for additional episodes over a longer shooting schedule, and the idea of sacrificing eye candy and having the show just look decent doesn’t really fly anymore. I think even a showrunner with serious weight to throw around would still promptly be fired for shooting a science fiction show that went 5 to 10 episodes without a major action setpiece because he wanted to film people calmly talking about ethical dilemmas in a room with flat, even TV lighting.
I agree with your points about overworking the cast and crew, but that’s not actually necessary either: it’s well within Paramount’s power to spend the money on doing it right and take the time on doing it right and treat people like they aren’t animals. And if wishes were horses, beggars would ride.
Ultimately, there is one person at whom the buck stopped and the decision was made—there always is—and I still want to smear dog shit on the door handles of his car.
Don’t get me wrong, SNW is great: in my mind, it’s the first good Star Trek show to broadcast since VOY went off the air (not a high bar to clear, I know, but it’s still meant as a compliment), and I just wish there was more of it instead of the other stupid shit Paramount incinerates money on.