Then blame execs and showrunners, not the audience. American audiences are savvier than he thinks, just because he had one pitch that didn’t fare well with American audiences doesn’t mean that they won’t embrace more complicated elements of The Witcher.
Plus it just sounds sad; blame audiences for something you, as a producer, can’t effectively produce.
Then blame execs and showrunners, not the audience. American audiences are savvier than he thinks, just because he had one pitch that didn’t fare well with American audiences doesn’t mean that they won’t embrace more complicated elements of The Witcher.
Plus it just sounds sad; blame audiences for something you, as a producer, can’t effectively produce.