Logline

An accident while investigating a time portal sends Ensigns Beckett Mariner and Bradward Boimler through time from the 24th century, and Captain Pike and his crew must get them back where they belong before they can alter the timeline.

Written by Kathryn Lyn & Bill Wolkoff

Directed by Jonathan Frakes

  • Value Subtracted@startrek.websiteOPM
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    1 year ago

    My expectations for this one were high, but I’m really impressed with how well they pulled it off. Tawny Newsome and Jack Quaid did a great job of dialing their performances back just enough, and the SNW cast went just a little bit broader.

  • Mezentine@startrek.website
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    1 year ago

    I cannot believe they had Boimler and Mariner move like physical cartoon characters and pulled it off that well, holy shit. We absolutely lost it when Boimler was tangled in the control panel

    • poundsignbuttstuff@lemmy.world
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      1 year ago

      And him doing his walk away from Una the second time. And so many of Tawnie’s mannerisms like in the shuttle where she kinda strikes a pose before getting caught. And Quaid’s mannerisms and screaming with Spock in the lab.

      Those two really worked to make realistic versions of the silliness they have in LDS and it was magnificent. I caught so much more on second watch.

  • ClarkDoom@lemmy.world
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    1 year ago

    Boimler exclaiming “RIKER” as he hopped on the saddle had me howling. Frakes is such a sport!

    • zalack@kbin.social
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      1 year ago

      I saw somewhere that the actor improved that line which means he blurted it out with Riker standing right there which feels totally in line with the tone of the episode they were shooting. It’s funny to me on so many levels.

      • Continuumguy@startrek.website
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        1 year ago

        Yep, they confirm it in Ready Room. Apparently Frakes’ wife was dying from laughter watching the episode when that happened.

      • ClarkDoom@lemmy.world
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        1 year ago

        That honestly makes it’s so much better. I’d love to see a behind the scenes for this episode!

        • poundsignbuttstuff@lemmy.world
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          1 year ago

          Definitely watch the Ready Room episode. They talk about a lot of this. I remember another interview where Tawnie Newsom, I think, talks about how Frakes, Quaid, and her just kinda took over the set because they were all nerding out, being silly, and improv-ing a bunch because that’s what they do on LDS.

  • deweydecibel@lemmy.world
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    1 year ago

    Sooooo many people that never watched Lower Decks are going to be asking why there was a Kola in the opening and I’m delighted.

  • williams_482@startrek.website
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    1 year ago

    Poor Christine Chapel! Now she knows what the audience has always known: her relationship with Spock is ultimately doomed. Plus a delightful mix of guilt and fear that she could unwittingly cause Spock to never measure up to the vague but crucial future that Boimler mentioned to her in the turbolift, simply by trying to make the two of them happy.

    That suuuuuucks.

    • concrete_baby@sh.itjust.works
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      1 year ago

      So Boimler inadvertently causes Nurse Chapel to end her relationship with Spock and encourage him to go back to T’Pring?

      • Jestersage@startrek.website
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        1 year ago

        Predestination paradox. In fact the entire thing is likely a predestinaiton paradox. “Activated 120 years ago”, which is caused by the imager at “now”; the reason why the two can go back home is because Tendi told them about the version according to Orion and mentioned her great-grandma being the discoverer, which is what let the past Orion to recognize the truth and probably themselves assigned it to Tendi’s great-grandma?

        • polymorphist_neuroid@lemmy.world
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          1 year ago

          …this little bit of cooperation between the Federation and the Orions probably improves their relationship a bit, which will eventually lead to Orions joining the Federation, which is how Tendi is friends with Boimler in the first place, which is how Boimler knows that not all Orions are pirates which is why Pike tones down his hostile response which gets them to a deal with the Orions which leads to…

        • samus12345@lemmy.world
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          1 year ago

          Tendi just said her great-grandmother was on the ship that discovered it, not that she was the discoverer.

    • polymorphist_neuroid@lemmy.world
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      1 year ago

      OMG! They managed to make that scene just so hilarious and poignant at the same time. Watching her facial expressions as she realizes what Boimler is telling her made me want to just scream at him to shut the fuck up and slap the shit out of him…but he’s just being dear sweet clueless Boimey. :(

      Theme-wise, I think they’re setting up a comparison between Pike knowing his doom and Christine/Spock knowing their relationship is doomed. Knowing that, what do you do in the meantime?

  • Corgana@startrek.website
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    1 year ago

    Loved having a Sunday morning cartoon 🖖

    This episode was way better than it needed to be. I was genuinely moved seeing Una’s reaction to the knowledge of her being the “poster girl”, as well as the reaction of the Orion captain at the end.

    Seeing Boimler and Mariner in this context really drives home how much Lower Decks is essentially “what if Trekkies could serve in Star Fleet” and it worked so well!

    • Hogger85b@kbin.social
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      1 year ago

      Especially the poster girl part being how she (and her lawyer) presented her self in the trial in ep2

      • Corgana@startrek.website
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        1 year ago

        Yes exactly! To Boimler it was a major and inspiring story out of history, but to Una it was a personal moment that happened only recently. Imagine being told something you did that you thought was relatively minor (and over) would inspire generations of people in the years to come. Her reaction was perfect.

  • Acid@startrek.website
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    1 year ago

    This episode is one of the best episodes in the modern era of Trek, it’s lighthearted it’s funny it celebrates Trek and it’s done so tastefully that I genuinely have nothing bad to say about it. It reminds me of Trials and Tribble-ations.

    Plus that line at the end where they tell Una ad astra per aspera and that’s why boimler joined Starfleet is just the right kind of emotions.

    Honestly, they smashed it in this episode and ofc the 2d animated intro was chefs kiss.

  • Prouvaire@kbin.social
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    1 year ago

    The danger with these “very special fun episodes” is that they can be confined to being just that. But what elevated this episode is how it used the time travel/crossover conceit to foreshadow, progress and pay off SNW character arcs, including Chapel and Spock’s ultimately doomed relationship (something that I’ve previously said could be incredibly poignant, if handled right), Number One’s legacy, and the way Pike confronts his fate. I hope the musical episode does the same.

    • Continuumguy@startrek.website
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      1 year ago

      They also tied in to Tendi’s story on LD (her constant reminding to people that Orions have a culture far beyond pirating), even though we didn’t see her in Live Action.

      • Eva!@lemmy.world
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        1 year ago

        Are Orions now the designated species for calling out how essentialized Star Trek aliens tend to be? Because we have D’vana Tendi, the somewhat obscure Ensign Harral from Discovery, and now the crew of the D’var. You can argue the last one’s just an extension of Tendi’s character arc, but still, that’s three series that have touched on this.

        • Mikey Mongol @lemmynsfw.com
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          1 year ago

          TBH I think TNG did this very well with the Klingons (depending on who was writing the episode, of course). Like, some Klingons were Real Klingons™ but many others only gave lip service to those ideals and were actually as sneaky and cowardly as any other race. I think a lot of Worf’s inner conflict came from realizing that.

          • Manabi@startrek.website
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            1 year ago

            And on the extreme end of that was the Duras family being more like the stereotypical Romulan (and even allying with them against their own people) than a Real Klingon™. It was disgusting how they managed to keep their house throughout the series, even though they were everything a Klingon wasn’t supposed to be.

            • Mikey Mongol @lemmynsfw.com
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              1 year ago

              The viewer naturally sympathizes with Worf and adopts his view of Klingon culture, but remember that he was raised by humans and most of his knowledge of Klingon culture came from very early childhood and books. Imagine a human child raised by another species whose knowledge of Human culture came from fairy tales and like Arthurian stories. He’d come to earth and be outraged that everyone isn’t following some virtuous code of chivalry. A politician broke his word? DUEL TO THE DEATH! That’s Worf.

        • HardlightCereal@lemmy.world
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          1 year ago

          There’s also the Orion on DS9 who likes to talk big game about being a pirate, but he’s actually from Cincinnati and has never pirated anything in his life

    • YoBuckStopsHere@lemmy.world
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      1 year ago

      The hidden line in the episode is that the crew knows they end up as historical icons of Starfleet and thus the line ‘I pretended to be somebody I wanted to be until finally I became that person. Or he became me.’ this applies to the crew now. It allows them to be more confident in their decisions and become the icons they are meant to be. This episode likely has one of the largest impacts on the character direction of the crew going forward.

    • maegul (he/they)@lemmy.ml
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      1 year ago

      Yep. There is no critiquing this episode IMO. They nailed pure cross over fun. All smiles through the whole episode!!

  • hivemind@startrek.website
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    1 year ago

    Frakes has directed two Orville episodes (so far), and arguably brought his experience over to SNW, as Boims and Mariner were fan[boy|girl]ing about, it had serious “Orville” vibes to it. I don’t think they could have picked a better director.

    The bit where Ortegas and Uhura were gushing about the NX-01 crew and suddenly realizing that’s why their guests were gushing was priceless.

    “What would come after the dash?”

    And both Jack and Tawny crushed it as the live action versions of their characters. (Both were over-the-top, and that was the point).

    I wonder if that “Riker!” Gag was improvised and if so, how long it had Frakes (and/or the crew) laughing.

    The LD-style intro was chefs kiss perfect. The coda was, likewise, a perfect capstone.

    • Awa@lemmy.world
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      1 year ago

      I didn’t realize Frakes directed two of the Orville episodes, but makes a lot of sense. He did an amazing job bringing the charm of The Orville into this episode. RE: the intro…YES!!! I was about to skip it, but so happy I watched it. I loved the space-monster sucking on the ship! It is my favorite part of the LD intro, so happy to see it here.